artworks:
HIGHLIGHTS
Staande (armen omhoog)
48 X 145 cm X 39 cm

Eja Siepman van den Berg
€ 50.000,00

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Maori Warrior
35 X 20 cm X 25 cm

First Nation Artists
€ 9.500,00

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Secret Garden
20 X 38 cm X 19 cm

Antonio Taschini
€ 1.250,00

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zomer
37 cm

Anke Birnie
€ 2.600,00

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Fireke
31 X 65 cm X 21 cm

Eja Siepman van den Berg
€ 19.000,00

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Praise of Normality at the time of Magna Grecia
38 X 68 cm X 40 cm

Antonio Taschini
€ 3.300,00

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Praise of Normality at the time of Magna Grecia

Antonio Taschini

represented by gallery:
Galerie Terbeek

€ 3.300,00

Domenico Iaracà, Keramikos 2020, Museum Duca di Martina, Naples:

“Taschini's faces are the continuation of a quest that has turned the human body into a palimpsest of codes and alphabets beyond time, through which to tell the stories lived by each individual. The faces are a summa of simultaneously individual and collective history. However, in a reversal of anachronisms, perhaps even typical of their expressive code, the marks on his face are not archaic. On the contrary, it is computer code that refers, as it were, to a dystopian future, in which man, every person, is part of a higher language. So here we are faced with a reversal of history, where the marks on our face are not so much traces of a more or less recent past, but impressions that we fear will be applied in a near or distant future. The idea of ??oppression and external limitation is further reinforced by the metal cage, which, as the supporting structure of the image, eventually acquires meaning itself."

38 X 68 cm X 40 cm

Domenico Iaracà, Keramikos 2020, Museum Duca di Martina, Naples:

“Taschini's faces are the continuation of a quest that has turned the human body into a palimpsest of codes and alphabets beyond time, through which to tell the stories lived by each individual. The faces are a summa of simultaneously individual and collective history. However, in a reversal of anachronisms, perhaps even typical of their expressive code, the marks on his face are not archaic. On the contrary, it is computer code that refers, as it were, to a dystopian future, in which man, every person, is part of a higher language. So here we are faced with a reversal of history, where the marks on our face are not so much traces of a more or less recent past, but impressions that we fear will be applied in a near or distant future. The idea of ??oppression and external limitation is further reinforced by the metal cage, which, as the supporting structure of the image, eventually acquires meaning itself."

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Toki poutangata
38 X 32 cm X 13 cm

Gordon Roi Hatfield (Maori)
€ 3.500,00

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Eva
36 X 24 cm X 28 cm

Jaap Hartman
€ 3.500,00

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Onbereikbaar
12 X 10 cm X 12 cm

Jaap Hartman
€ 600,00

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